The group was led by the elected chair Jurgis Bistrickas,
with Henrikas Šalkauskas as deputy. Correspondence for the group was directed
to: Mr Jonas Kalgovas.
In 1953, Jurgis Bistrickas organised the first
Australia-wide Lithuanian art exhibition, held at Mark Foy’s Gallery in Sydney.
Seventeen artists participated, exhibiting a total of seventy-four works:
thirty-nine graphic works and drawings, eighteen oil paintings, thirteen
sculptural pieces, three watercolours, and one tapestry (Kazokas, p. 36).
In the exhibition catalogue, Vytautas Janavičius wrote in
the introduction:
“This is an exhibition of restless, striving individuals.
May these works emphasise their striving and seeking. May this be a small
contribution to the young Australian nation, which is still fighting for its
expression in art and culture.”
The exhibition represented, in many ways, the artists’
attempt to come to terms with exile.
Contemporary reviews of the exhibition were largely
favourable. One critic noted that the exhibition at Mark Foy’s Gallery was, on
the whole, pleasing, with considerable variety. The juxtaposition of
traditional and modern styles was welcomed, and many artists were observed to
be responding to the Australian environment, offering fresh and unusual
interpretations of their new surroundings. While no single masterpiece was
identified, the exhibition demonstrated strong craftsmanship and a sensitivity
that reflected the cultural contributions Lithuanian artists were bringing to
Australia.
The reviewer expressed the hope that many people would visit
the exhibition, describing it as multifaceted and accessible, with relatively
few overtly problematic works. For the average visitor interested in art, there
was much to learn and admire.
Vladas Meškėnas was awarded first prize for his pastel Study
for the Portrait of a Family, praised for its careful balance and engaging
tonal qualities. Second prize was awarded to Teisutis Zikaras for the sculpture
Land of Sorrows, a work that carried elements of Byzantine tradition
into a modern idiom, particularly evident in the treatment of the head. Henrikas
Šalkauskas received third prize for his linocut Three Women, which,
although somewhat simplified, was noted for its feeling and charm.
Other notable works included Aleksandras Marčiulionis’ swift
and dramatic impression of trees; Jurgis Bistrickas’ Displaced Persons,
featuring desert peas and poppies, which, while not entirely successful, was
recognised for its striking and unusual use of colour; and Vaclovas
Ratas-Rataiskis’ woodcut Emu, a charming work inspired by Aboriginal
art.
Daily Telegraph (Sydney, NSW : 1931 - 1954), Monday 7
September 1953, page 12


